In front of a tent at right, and a small folding table with written documents, George Washington stands facing us and looking directly at us with a confident expression. His gray hair pulled back, he ...

Cézanne’s fascination with the complexities of human perception and his desire to transcribe the abstract properties of vision established him as the central figure linking nineteenth-century ...

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In the foreground at center, lying on the hard desert ground, are the bodies of four men dressed in robes and cloth headdresses. Two more slain bodies are seen at left, and two more at right. Behind ...

Breenbergh specialized in paintings of Italianate landscapes with shepherds or small figures that enact scenes from the Bible or classical mythology. Here he represents an episode from Ovid’s ...

Outlined in bold black charcoal on off white paper, we see a group of five nude women standing closely together in various poses shown from the waist up.. At left, the figure closest stands in three ...

A round vessel with a wide flat spout with a small opening. It is beige, and in black and red there is a central figure with long hair under a headband, who wears long geometric patterned clothing.

A mans head and neck are shown, and his neck ends at the base in an uneven way which seems broken. He has a square face, a narrow mouth with full lips, a wide flat nose, and narrow round eyes which ...

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Monet painted this composition at the end of a decade marked by the impressionists’ sustained experimentation with still-life painting. His depiction of this pair of common fish is indebted to the ...

A robed figure with a waist-length beard floats horizontally in the air, and swirling lines around him indicate a rush of wind. Below him on the ground, a bearded bare-chested white haired man at left ...

The printed book is bound in green boards. A palm tree centered on the front cover has the words “Edward Ruscha” printed in white, vertically. Only the image of the tree is on the spine.