‘Madame’ Review: A Working-Class Frenchwoman Looks After a Saudi Prince’s Mistress in This Smart and Nuanced Debut

The Cannes premiere from Hélène Rosselet-Ruiz offers personal insight into lessons learned by the director in a very similar ...

‘Coward’ Review: Queer Art Complements War in Subversive Military Drama

That’s not an idle thought, mind you, for Lukas Dhont has made an almost elementally straightforward war drama built around ...

‘Coward’ Review: Lukas Dhont’s Third and Most Ambitious Feature Sticks Soldiers in a Tortured Queer Love Story Mired in Emotional Fraudulence

Newcomers Emmanuel Macchia and Valentin Campagne play a farm boy and a tailor’s son who find romantic reprieve at the Belgian ...

Léa Seydoux Cannes Interview: 'The Unknown' and 'Gentle Monster'

The French star has earned raves in two Cannes Competition entries, is raising two children, and doesn't give one sou how she ...
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