In 2017, for the 25th anniversary of Filmmaker, we commissioned a radical redesign and also initiated a new upfront section: ...

When 28 Days Later arrived on screens in 2002, it marked a leap forward for both zombie movies and digital cinema. Eschewing ...

As 2025 unfolded, returning to the ritual of asking filmmakers about the films that moved them feels both fragile and ...

When I realized I’d be laid off (via: restructuring) from the publication I’ve worked at for 11+ years, I went back through ...

For the first time since 2002’s Punch-Drunk Love, Paul Thomas Anderson has made a movie with a contemporary setting. To do so ...

This is what Big Art/Little Debt/Together points toward now: not rugged individualism but collective human sovereignty. Building the conditions for your artistic life — with others. Knowing exactly ...

Telluride is not on my annual festival calendar—too distant, too costly—and rarely I’m at Toronto, only with a film. So as a ...

After spending the last Knives Out entry on a billionaire’s private Greek island, master sleuth Benoit Blanc’s latest mystery ...

The Busan International Film Festival saw the launch of Screen X, a cinema technology that promises to offer audiences an immersive cinematic experience without the need to wear glasses. The South ...

In the latest Marvel Cinematic Universe entry Thunderbolts*, a reluctant squad of antiheroes team up to save New York City. Behind the scenes, another superteam comprised of A24 alumni joined forces.

Toward the end of my interview with Gregg Araki, I remind him of his scene from Michael Almereyda and Amy Hobby’s 1995 documentary At Sundance. Sitting on a couch next to Todd Haynes, Araki is at ...

A seemingly breakthrough medical innovation from the ’60s set off a still-ongoing worldwide trend of surgeries performed on “atypical” babies. Those surgeries were celebrated in the context of the ...