These are overwhelming times, and disappointment is everywhere. Wouldn’t it be nice to just get away from it all with a nifty ...
These are overwhelming times, and disappointment is everywhere. Wouldn’t it be nice to just get away from it all with a nifty procedure and an automated assistant to take care of things? Tempting as ...
Filmmaker is heading to the 40th edition of SXSW, where myself and several talented contributors will be on the ground filing ...
In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...
Natalia Keogan highlights five films (and two amazing musical acts) to catch at the 2026 True/False Film Fest.
I found a way to look into the universe,” says non-fiction Australian filmmaker Josef Gatti in his feature debut Phenomena. Paradoxically, it turns out that the wonders of the universe ...
For generations, Indigenous women in Mexico have understood the vast power of mushrooms—medicinal, culinary, spiritual, toxic. Their knowledge has been calibrated and passed down matrilineal channels, ...
In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...
A charming scoundrel visiting the city of his father’s birth, William is drawn to his impromptu guide Effy — wise, spontaneous, and half his age. Goldberg & Eisenberg (Director/Screenwriter: Oren ...
A seemingly breakthrough medical innovation from the ’60s set off a still-ongoing worldwide trend of surgeries performed on “atypical” babies. Those surgeries were celebrated in the context of the ...
Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...
Last fall, desiring information to aid our own filmmaking careers, we launched an experiment to see whether we could obtain hard data on independent film revenue. Having experienced firsthand how ...